Photographs, ideas, anecdotes and miscellanea on photography, architecture, urbanism, documentary projects and portraits from my personal and professional portfolio / Fotografías, ideas, anécdotas y miscelanea sobre fotografía, arquitectura, urbanismo, proyectos documentales y retratos de mis portfolios personal y profesional.
martes, 12 de septiembre de 2017
SESC Pompeia by Lina Bo Bardi reedited.
I have just reedited the SESC Pompeia Collection by Lina Bo Bardi with new previously unseen photographs. Follow the link below to see the entire collection.
https://www.archive.inigobujedo.com/portfolio/C0000brgzw55Y2z0/G0000vYvdbFuufeU
lunes, 4 de septiembre de 2017
Joan Colom, adios Maestro.
Joan Colom, adios Maestro
Siempre he pensado que lo verdaderamente fascinante de ser fotógrafo no son las imágenes en sí mismas, que también, sino las historias y recuerdos que revivo cuando miro mis fotografías y a la gente que conocí en el camino. A menudo me dicen que debiera escribir todas esas anécdotas, porque aunque soy incapaz de memorizar el nombre de alguien que me acaban de presentar, puedo recordar con todo detalle cosas que sucedieron hace veinte o treinta años. Todos sabemos que la memoria es construida pero, a quién le importa si el relato que nos hacemos de nuestras vidas es imaginado. La memoria como la fotografía nada tiene que ver con la realidad.
Ayer me entere de la muerte de Joan Colom. Hacía tiempo que no le veía y la última vez que coincidimos por la calle charlamos y me contó que estaba intentando poner orden en su archivo y que estaba con mucha ilusión aunque ya no hacia copias y de eso se encargaban otros.
La primera vez que oí hablar de Joan Colom fue allá por 2004 cuando cenando con Paco Salinas en un restaurante de Murcia, me presentó a Pepe Font De Mora que estaba allí para presentar la exposición de Colom en el festival Fotoencuentros04, en el que yo también participaba con mi trabajo El Dorado.
4 años más tarde, a primeros de Julio del 2008, iba una tarde en mi Brompton por la plaça del Pí cuando casi atropello a un anciano que se cruzó delante de mí. “La concha de su madre” pensé para mis adentros cuando tuve que forzar un quiebro para no atropellarle. Iba con mucha prisa, en dos días se inauguraba en H2O mi exposición Acostumbrados y tenía aún mil y una cosas por resolver. De pronto me di cuenta que el hombre que tenia delante era Joan y me detuve a saludarle, sintiéndome culpable por haber dejado salir al imbécil intransigente que a veces me visita. Nos habíamos conocido en alguna inauguración en FotoColectania pero como es natural, él no me reconoció y se disculpó por ello. La memoria me falla, me dijo.
-Qué afortunado eres viajando tanto y conociendo y fotografiando el mundo.
-Hombre Joan, tu obra es monumental…
-Si, pero no he salido de Las Ramblas, Santa Antoni y la estatua de Colón. Mi universo fotográfico es muy pequeño.
-Pero has logrado vivir de tu trabajo como fotógrafo, eso en este país no tiene precio y te han dado el Premio Nacional. Además una vez me dijo alguien que hay que reivindicar el viaje a la vuelta de la esquina.
-No ! Yo soy del “debe y haber”, me dijo.
-Qué quieres decir, le pregunté.
-Toda mi vida he sido contable, pero he tenido la fortuna de tener una mujer muy buena y comprensiva que aceptaba que en vez de salir a pasear con élla los Sábados, me fuera a La Rambla y al Raval a tomar fotografías, y que me pasara las tardes y buena parte de las noches del fin de semana revelando y haciendo copias.
-Pasado mañana inauguro mi exposición en H2O.
-No me ha llegado la invitación y me molesta porque siempre me la envían.
-Me sorprende que a Joaquim se le haya pasado, seguro que te llegará. Pero no te apures porque te invito personalmente y te doy un tarjetón para que te acuerdes. Te espero.
-Allí estaré.
Llegó el día de la inauguración y Joan vino como había prometido. Llegó temprano y pude charlar un rato con él y con Manel Úbeda que también había llegado de los primeros. Roger Masdeu nos hizo una foto a los tres juntos.
Aquello se llenó de gente y aunque mis fotos recibieron muchos halagos, todo el éxito se lo llevaron los pintxos de tortilla de bacalao que mi madre y mi hermano habían preparado.
Pasado un buen rato, Joan se acercó para despedirse y me dio que estaba cansado y que se tenía que ir. "Pero antes quiero decirte algo y te pongo a mi difunta madre por testigo para que no pienses que te estoy mintiendo. He visto tus fotografías y hay algunas muy buenas, fantásticas, pero hay algo en éllas que me desconcierta y me ha sorprendido mucho. Me he pasado toda la vida esperando un momento de tensión, algún momento decisivo para poder disparar y hacer una foto que valiera la pena. Siempre esperando, siempre buscando esa tensión. En tus fotografías no sucede nada, no hay tensión en esa cotidianidad, ni nada decisivo y sin embargo, son fantásticas”.
Es el cumplido más bonito que nadie ha hecho nunca sobre mi trabajo.
Barcelona, 4 de Septiembre del 2017.
Siempre he pensado que lo verdaderamente fascinante de ser fotógrafo no son las imágenes en sí mismas, que también, sino las historias y recuerdos que revivo cuando miro mis fotografías y a la gente que conocí en el camino. A menudo me dicen que debiera escribir todas esas anécdotas, porque aunque soy incapaz de memorizar el nombre de alguien que me acaban de presentar, puedo recordar con todo detalle cosas que sucedieron hace veinte o treinta años. Todos sabemos que la memoria es construida pero, a quién le importa si el relato que nos hacemos de nuestras vidas es imaginado. La memoria como la fotografía nada tiene que ver con la realidad.
Ayer me entere de la muerte de Joan Colom. Hacía tiempo que no le veía y la última vez que coincidimos por la calle charlamos y me contó que estaba intentando poner orden en su archivo y que estaba con mucha ilusión aunque ya no hacia copias y de eso se encargaban otros.
La primera vez que oí hablar de Joan Colom fue allá por 2004 cuando cenando con Paco Salinas en un restaurante de Murcia, me presentó a Pepe Font De Mora que estaba allí para presentar la exposición de Colom en el festival Fotoencuentros04, en el que yo también participaba con mi trabajo El Dorado.
4 años más tarde, a primeros de Julio del 2008, iba una tarde en mi Brompton por la plaça del Pí cuando casi atropello a un anciano que se cruzó delante de mí. “La concha de su madre” pensé para mis adentros cuando tuve que forzar un quiebro para no atropellarle. Iba con mucha prisa, en dos días se inauguraba en H2O mi exposición Acostumbrados y tenía aún mil y una cosas por resolver. De pronto me di cuenta que el hombre que tenia delante era Joan y me detuve a saludarle, sintiéndome culpable por haber dejado salir al imbécil intransigente que a veces me visita. Nos habíamos conocido en alguna inauguración en FotoColectania pero como es natural, él no me reconoció y se disculpó por ello. La memoria me falla, me dijo.
-Qué afortunado eres viajando tanto y conociendo y fotografiando el mundo.
-Hombre Joan, tu obra es monumental…
-Si, pero no he salido de Las Ramblas, Santa Antoni y la estatua de Colón. Mi universo fotográfico es muy pequeño.
-Pero has logrado vivir de tu trabajo como fotógrafo, eso en este país no tiene precio y te han dado el Premio Nacional. Además una vez me dijo alguien que hay que reivindicar el viaje a la vuelta de la esquina.
-No ! Yo soy del “debe y haber”, me dijo.
-Qué quieres decir, le pregunté.
-Toda mi vida he sido contable, pero he tenido la fortuna de tener una mujer muy buena y comprensiva que aceptaba que en vez de salir a pasear con élla los Sábados, me fuera a La Rambla y al Raval a tomar fotografías, y que me pasara las tardes y buena parte de las noches del fin de semana revelando y haciendo copias.
-Pasado mañana inauguro mi exposición en H2O.
-No me ha llegado la invitación y me molesta porque siempre me la envían.
-Me sorprende que a Joaquim se le haya pasado, seguro que te llegará. Pero no te apures porque te invito personalmente y te doy un tarjetón para que te acuerdes. Te espero.
-Allí estaré.
Llegó el día de la inauguración y Joan vino como había prometido. Llegó temprano y pude charlar un rato con él y con Manel Úbeda que también había llegado de los primeros. Roger Masdeu nos hizo una foto a los tres juntos.
Aquello se llenó de gente y aunque mis fotos recibieron muchos halagos, todo el éxito se lo llevaron los pintxos de tortilla de bacalao que mi madre y mi hermano habían preparado.
Pasado un buen rato, Joan se acercó para despedirse y me dio que estaba cansado y que se tenía que ir. "Pero antes quiero decirte algo y te pongo a mi difunta madre por testigo para que no pienses que te estoy mintiendo. He visto tus fotografías y hay algunas muy buenas, fantásticas, pero hay algo en éllas que me desconcierta y me ha sorprendido mucho. Me he pasado toda la vida esperando un momento de tensión, algún momento decisivo para poder disparar y hacer una foto que valiera la pena. Siempre esperando, siempre buscando esa tensión. En tus fotografías no sucede nada, no hay tensión en esa cotidianidad, ni nada decisivo y sin embargo, son fantásticas”.
Es el cumplido más bonito que nadie ha hecho nunca sobre mi trabajo.
Barcelona, 4 de Septiembre del 2017.
sábado, 26 de agosto de 2017
Bulldozers moved to demolished Robin Hood Gardens,
As bulldozers moved to demolished Robin Hood Gardens, Architectural
Record publishes a selection of the photographs I took of the building
for my on going project Castles in the Air.
http://www.architecturalrecord.com/articles/12926-last-days-of-the-smithsons-robin-hood-gardens
http://www.architecturalrecord.com/articles/12926-last-days-of-the-smithsons-robin-hood-gardens
lunes, 22 de mayo de 2017
martes, 16 de mayo de 2017
Photography Workshops in Barcelona / Architecture and Urban Landscape 3rd to 14th of July 2017
Julius Shullman : "Architects live and die by the photographs taken of their buildings".
Architecture and Urban Landscape 3rd to 14th of July 2017
¿Are you a student of photography, architecture or interior design?. Perhaps you are a professional architect or interior designer, or just a passionate amateur photographer visiting Barcelona.
The Programme :
Whether
you are a photography student or a professional, an architect or indeed
an enthusiast amateur with a curious mind, the Architecture &
Urban Landscape workshop is suitable to anyone with an interest in the
city as a playground for visual exploration.
Louis
Kahn “ Often the image we carry in our mind´s eye of any particular
great building was first seen through the lens by Ezra Stoller”.
"...Attributed
to the new wave of architectural awareness, today, this simple nature
and purpose of the architectural photograph has been infested with
twenty first century commercialism and the mass culture debate. The
photography of architecture thus places itself in an important position
within society, highlighting what we may experience but no necessarily
notice, and enabling us to see sights that we may not been able to see
with our own eyes". Claire Bandy, Architect and researcher, University
of Nottingham, United Kingdom 2005.
Photography of Architecture.
This
introductory 2 days lecture will be a presentation of how photography
of architecture has evolved over time, looking at the history of
representation of the built environment and the entwined relationship
between architecture and photography. It will also offer students the
opportunity to know first hand about my experience as professional in
the discipline. From brief reading, negotiating of fees, prep work prior
to the shooting to photography on location, digital post production to
marketing and distribution of images in an increasingly competitive
digital world. Addressing issues related to archive management and
issuing contracts for architects and interior designers, as well as
licensing copyrights (Rights Manage vs Royalty Free) for editorial,
corporate and advertising clients.
Urban Landscape; the assignment.
At
the end of the first day, students will be asked to think of a project
that they will carry out during the duration of the workshop. The
workshop proposes an exploration of the city and its built environment
as a subject of visual interest. Focusing on the production of a body of
work, students will be asked to develop a personal project on a given
topic as the result of the exploration of the city and its urban and
human fabric. The city as a canvas, a theatrical stage where multiple
realities converge and can be explored visually. Ideas such as life in a
neighborhood, social vs landmark architecture, urban utopias, private
versus public or appropriation of the territory, are just few of the
immense variety of topics that can be explored. However students will be
encouraged to think out of the box a come with ideas of their own to be
developed as a photographic project.
About: For an in depth overview of my academic and professional experience please do visit my website
http://www.archive.inigobujedo.com/about
FAQ´s
About: For an in depth overview of my academic and professional experience please do visit my website
http://www.archive.inigobujedo.com/about
FAQ´s
-The
duration of the workshop will be a total of 24 hours divided into 6
alternative days. All classes will be Monday to Friday from 5 pm until 9
pm.
-You are expected to find time outside the classes to produce the photographs of the assignment.
-A
maximum of 6 students will be taken at the time. This is to ensure the
quality of the time I can dedicate to each of you. However this will be a
on going program so there will be plenty of opportunities for you to
join us. A minimum of 4 students will be required to be confirmed in
order for the workshop to take place.
-All
classes, lectures and reviews of works in progress will take place in
my new studio-workshop in the heart of La Ribera in Barcelona´s old
town. Spanish and English will be the vehicular languages used in the
workshops.-You are expected to find time outside the classes to produce the photographs of the assignment.
-Furthermore
you are also expected to bring your own cameras and tripods. At The
Studio Workshop we will provide you with a computer and calibrated
monitor for you to show your work in progress to other students. But if
you would rather bring your own laptop computer to the lectures you are
welcome to do so.
-Fees
are 380 € : To secure your place in the next available workshop a 20%
deposit should be paid in advance. The remaining sum should be paid no
later than a weeks before the start of the workshop.
-We will provide you with a computer and calibrated monitor for you to show your work in progress to other students. However as it is always nicer to work with one´s computer, if you would rather bring your own laptop you are welcome to do so.
-We will provide you with a computer and calibrated monitor for you to show your work in progress to other students. However as it is always nicer to work with one´s computer, if you would rather bring your own laptop you are welcome to do so.
- For any other question of to book you place, please contact me on office@bujedoaguirre.com or call to chat to me in person on : +34 617003447
jueves, 11 de mayo de 2017
El Prado Museum in Madrid by Rafael Moneo
We continue adding new projects to the picture library. Coinciding
with Rafael Moneo´s 80th birthday we have just uploaded a selection of
photographs of El Prado from my architecture film
archive. Please follow the link below to see the collection of photographs.
http://archive-inigobujedo.photoshelter.com/gallery/El-Prado-Museum-in-Madrid-by-Rafael-Moneo/G0000KVY2WK_WaQs/C0000unfBOo7nkFQ
http://archive-inigobujedo.photoshelter.com/gallery/El-Prado-Museum-in-Madrid-by-Rafael-Moneo/G0000KVY2WK_WaQs/C0000unfBOo7nkFQ
martes, 2 de mayo de 2017
Marques de Riscal Wineries by Frank O. Gehry
We are adding new projects to my website from my architectural film archive. All images can be purchased directly from the on line shop.
lunes, 10 de abril de 2017
Photography Workshops in Barcelona / Architecture and Urban Landscape 3-14 of July 2017
Julius Shullman : "Architects live and die by the photographs taken of their buildings".
The Programme :
Whether you are a photography student or a professional, an architect or indeed an enthusiast amateur with a curious mind, the Architecture & Urban Landscape workshop is suitable to anyone with an interest in the city as a playground for visual exploration.
Louis Kahn “ Often the image we carry in our mind´s eye of any particular great building was first seen through the lens by Ezra Stoller”.
"...Attributed to the new wave of architectural awareness, today, this simple nature and purpose of the architectural photograph has been infested with twenty first century commercialism and the mass culture debate. The photography of architecture thus places itself in an important position within society, highlighting what we may experience but no necessarily notice, and enabling us to see sights that we may not been able to see with our own eyes". Claire Bandy, Architect and researcher, University of Nottingham, United Kingdom 2005.
Photography of Architecture.
This introductory 2 days lecture will be a presentation of how photography of architecture has evolved over time, looking at the history of representation of the built environment and the entwined relationship between architecture and photography. It will also offer students the opportunity to know first hand about my experience as professional in the discipline. From brief reading, negotiating of fees, prep work prior to the shooting to photography on location, digital post production to marketing and distribution of images in an increasingly competitive digital world. Addressing issues related to archive management and issuing contracts for architects and interior designers, as well as licensing copyrights (Rights Manage vs Royalty Free) for editorial, corporate and advertising clients.
Urban Landscape; the assignment.
At the end of the first day, students will be asked to think of a project that they will carry out during the duration of the workshop. The workshop proposes an exploration of the city and its built environment as a subject of visual interest. Focusing on the production of a body of work, students will be asked to develop a personal project on a given topic as the result of the exploration of the city and its urban and human fabric. The city as a canvas, a theatrical stage where multiple realities converge and can be explored visually. Ideas such as life in a neighborhood, social vs landmark architecture, urban utopias, private versus public or appropriation of the territory, are just few of the immense variety of topics that can be explored. However students will be encouraged to think out of the box a come with ideas of their own to be developed as a photographic project.
About: For an in depth overview of my academic and professional experience please do visit my website
http://www.archive.inigobujedo.com/about
FAQ´s
About: For an in depth overview of my academic and professional experience please do visit my website
http://www.archive.inigobujedo.com/about
FAQ´s
-The duration of the workshop will be a total of 24 hours divided into 6 alternative days. All classes will be Monday to Friday from 5 pm until 9 pm.
-You are expected to find time outside the classes to produce the photographs of the assignment.
-A maximum of 6 students will be taken at the time. This is to ensure the quality of the time I can dedicate to each of you. However this will be a on going program so there will be plenty of opportunities for you to join us. A minimum of 4 students will be required to be confirmed in order for the workshop to take place.
-All classes, lectures and reviews of works in progress will take place in my new studio-workshop in the heart of La Ribera in Barcelona´s old town. Spanish and English will be the vehicular languages used in the workshops.-You are expected to find time outside the classes to produce the photographs of the assignment.
-Furthermore you are also expected to bring your own cameras and tripods. At The Studio Workshop we will provide you with a computer and calibrated monitor for you to show your work in progress to other students. But if you would rather bring your own laptop computer to the lectures you are welcome to do so.
-Fees are 380 € : To secure your place in the next available workshop a 20% deposit should be paid in advance. The remaining sum should be paid no later than a weeks before the start of the workshop.
-We will provide you with a computer and calibrated monitor for you to show your work in progress to other students. However as it is always nicer to work with one´s computer, if you would rather bring your own laptop you are welcome to do so.
-We will provide you with a computer and calibrated monitor for you to show your work in progress to other students. However as it is always nicer to work with one´s computer, if you would rather bring your own laptop you are welcome to do so.
- For any other question of to book you place, please contact me on office@bujedoaguirre.com or call to chat to me in person on : +34 617003447
jueves, 6 de abril de 2017
Documentary Photography Website by Iñigo Bujedo Aguirre
At last and after almost a year of negative searching, scanning, dust cleanning, retouching and an awful lot of doubting, .... my new documentary website is finally on line. Many people know me just as an architectural photographer but over the years I have worked on documentary projects as well. Many more stories will be uploaded soon.
Underworld (©Iñigo Bujedo Aguirre. Goldsmiths College, London 1995-96)
“Independent scientific tests were done on a sample of 100 seat covers from different tube carriages. Traces of urine, faeces, sweat, semen, rat hair, rat urine and the fungi flammulina velutipes were found on 60 percent of the seats. Although no one would suggest London Underground’s tasteful upholstery is particularly clean, the chances of semen having made its way on to 6 out of every 10 seats is somewhat improbable. Afterall, Londoners barely talk to each other on the tube, let alone have sex”.
London Underground Myths.
http://www.bujedoaguirre.com/portfolio/G0000.EaDfcZyoY0
domingo, 2 de abril de 2017
Workshops Barcelona : Architecture Photography Masterclass with Iñigo Bujedo-Aguirre
¿Are you a student of photography, architecture or interior design?. Perhaps you are a professional architect or interior designer, or just a passionate amateur photographer visiting Barcelona. This masterclass is suitable for anyone who is enthusiastic about photography and has a keen interest in the city as a playground for visual exploration.
For a detailed overview of my professional and academic background, please visit my about page: http://www.archive.inigobujedo.com/about
The 1 day Masterclass offers the chance to work with me both on-location (3 hours in the morning), taking photographs as we will visit some of the most interesting contemporary buildings in the city. Followed by a lunch break and an afternoon session (3 hours) of review and postproduction work in my studio space located in the heart of La Ribera in Barcelona.
The images produced in the morning will be downloaded, edited, processed and retouched to complete a final collection of photographs. The masterclass will offer the opportunity to experience first hand the working and thinking process behind my architectural photography work as well as to understand the importance of addressing the issue of developing a personal visual narrative that leaves an imprint in your work. Groups will be limited to no more than 4 people at a time.
For more in detail information and fees about the Masterclass please send me an email on : inigo@inigobujedo.com
www.inigobujedo.com
lunes, 27 de marzo de 2017
Barcelona Architecture and Interiors Photography : Internships for Students
I am offering internship to students and graduates from all over the world, suitable for those who require practical and professional experience in order to complete their studies. The 240 hour program is a great opportunity to work very closely with a respected architecture and
documentary photographer, with over 20 years of professional practice and
teaching experience.
For a detailed overview of my professional and academic background, please visit my about page: http://www.archive.inigobujedo.com/about
The post will be suitable to photography and design students. Candidates should have a broad knowledge of Photoshop, Bridge as well as Lightroom and In Design. Furthermore, any candidate should be fluent in at least English, Spanish or Catalan.
Interns will learn how to manage both the digital and film archive while learning how to understand briefs, negotiate budgets as well as to issuing rights managed contracts for editorial, corporate and advertising clients. The practice will cover from shooting on location to the post production, editing and processing of raw files to the delivery of photographs and audiovisuals. Furthermore interns will benefit from an on going protfolio review and personal tutorial over any projects that they may be working on.
The internship will take place in my new studio-workshop located at the heart of el Born - La Ribera in Barcelona. Should you be interested, please apply sending an email telling me about yourself.
For a detailed overview of my professional and academic background, please visit my about page: http://www.archive.inigobujedo.com/about
The post will be suitable to photography and design students. Candidates should have a broad knowledge of Photoshop, Bridge as well as Lightroom and In Design. Furthermore, any candidate should be fluent in at least English, Spanish or Catalan.
Interns will learn how to manage both the digital and film archive while learning how to understand briefs, negotiate budgets as well as to issuing rights managed contracts for editorial, corporate and advertising clients. The practice will cover from shooting on location to the post production, editing and processing of raw files to the delivery of photographs and audiovisuals. Furthermore interns will benefit from an on going protfolio review and personal tutorial over any projects that they may be working on.
The internship will take place in my new studio-workshop located at the heart of el Born - La Ribera in Barcelona. Should you be interested, please apply sending an email telling me about yourself.
Thank you !
Iñigo Bujedo-Aguirre
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