Mostrando entradas con la etiqueta Documentary Photography. Mostrar todas las entradas
Mostrando entradas con la etiqueta Documentary Photography. Mostrar todas las entradas

martes, 28 de junio de 2011

El Dorado will be exhibited in the Backlight 2011 Photography Festival in Tampere, Finland.




The 9th international photo festival in Tampere will open the exhibitions in September 2011. Photographic Centre Nykyaika has organized the international triennial since 1987. The main co-organizer in 2011 is Tampere Art Museum. The theme of the Backlight 2011 Photo Festival is Migration and Nomadic Living in 21st Century. Theme in Backlight deals as concrete forms but also as metaphor for life and living in 21st century.

International specialists have nominated artistic positions and also individual artists have submitted their position directly to the organizer of Backlight 2011 Photo Festival. The main exhibitions will be seen in three spaces in Tampere (Finland) from 17th September 2011. The venues are: TR1 Kunsthalle, Tampere Art Museum, Mältinranta Art Centre. In the end of the Festival period, there will be one exhibition in Rajatila Gallery starting 29th October.

Chosen positions approach the motto in documentary style and with artistic concepts. Artworks together will create a visual intercultural dialogue in three sections as globalization, migration and nomads. The entity in TR1 Kunsthalle deals with alienation and exotic, corporative control and the power of ideology/art.

Beside of the TR1 exhibition Backlight 2011 will realize a project with over 20 young photoartists from Russia in Tampere Art Museum and a presentation with eight positions from Essen about migration and integration into the Ruhrgebiet between the 1960th and today.

jueves, 16 de septiembre de 2010

Untitled. Alexanderplatz, Berlin 2010


Biergarten, Treptow Park. Berlin 2010


Hannelore Whitley, Gropius Stadt, Berlin 2010



Hannelore Whitley is german though she speaks perfect english with an american accent. I met her on Gropius Stadt on a windy morning when I was trying to locate an enormous delirious urban and social housing development by Walter Gropius. I had been wondering the area for two days not knowing exactly how to start, what to look for and where was the site I was looking for. I´d just had a worrying phone call that shocked me so I could not gather my thoughts properly. I kept on wondering and  asking people if they knew of a big crescent shape housing state designed by the famous architect. But very few understood english and those who did  knew nothing of what I was after. So they kept on sending me back to the ugly shopping center which is also known as Gropius Stadt. It turned out that by this name is known an entire area of a disproportionate scale with gardens like forests and very dark pathways that lead to bare open greenland. Luckily a turkish woman pointed out the right direction and finally by the indications of a man that with a great emphasis equal to his sympathy- he spoke no english - explained to me in a very emphatic way that everything was Gropius Stadt and that the crescent I was looking for - I had made a drawing on the soil- it was just 500 meters away from us.

Hannelore appeared before me and I asked her if she spoke english. She nodded and confirmed that this was the building that I was looking for. Kindly she said good bye and left.
About two hours later as I was back on my foot steps towards the U-bahn we crossed again and she stopped to ask me if I had taken photographs. We began to talk and in a very natural way she began to talk to me about her life. She said to me that my english was better than hers because there has been years since she last spoke the language. She had been born in Berlin around 1934 but at the age of 13 just at the end of the war her family left to live in the Unites Sates. There she married her late husband, an army man of irish origin, a Lieutenant Colonel who was killed in the Vietnam War. She never married again and as they didn´t have any children, she decided to return to Berlin. She has been living in Gropius Stadt for 30 years now. She thought Gropius was an american and explained to her that he was German, very famous  architect that had been the founder of the even more famous Bauhaus School in Dessau but  he was exiled in the United Estates when the nazis came to power. She conceded. 

Why are you taking these pictures she asked me. And I tried to explain that I was hoping to gather some images for a project, a personal work that I am trying to do. I explained to her that I was a photographer and that it was also my passion and hobby to travel to places and my interest was to photograph where ordinary people live. I then asked her to take her portrait promising that I would send it to her. 
Do you have an email, have you access to the internet I asked. -No she said, I don´t need that. 
Have you got any family of friends whom I can send the photograph to, I asked. -No se replied calmly. My two brothers died..... -
You are alone I enquired. 
-Yes, she said.

To begin with she was reluctant with the idea of me taking her portrait but finally agreed . As she was posing for me trying to get the West Highland Terrier to sit properly ( he is deaf she informed me )  she said: -Had I known that you would be here today wanting to take my portrait, I would have gone to see my hairdresser. 

I smiled at her with gratitude as I took this picture and I promised that in my next visit to Berlin I will come to have coffee and a chat with her.

viernes, 4 de junio de 2010

Josef Koudelka - a time lab -II -



It was January 1997, just few months after I had finished my Master at Goldsmiths when I had the chance to do an internship at Magnum Photos. For a period of 7 weeks I worked at London´s office everyday during normal working hours. My tasks while there were various but to begin with, I was mainly in charge of tea and coffee making facilities and doing photocopies of the magazines and articles featuring Magnum´s photographs. Occasionally I would popped in to the Lab where all the printing was being done. At the end of the day I usually stayed longer so I could look into the archive and see all the photographs I had known for years.
There for the first time I saw the original prints that Koudelka himself had done of his work of Prague 68. I remember myself fascinate, looking at them scrutinizing every detail of those photographs, observing the composition, the contrast, the way they had been all printed in fiber base chloro bromide paper.

One Monday I was asked to do photocopies. 7 hours a day of photocopies can be very alienating and often I wondered what the hell I was doing wasting my time in Magnum, not even getting paid. I kept on telling myself tat it was a unique experience and it the long term it would be worth my time. Luckily the photocopy exile lasted only for a week and soon I was sent back to the archive, filing the returned photographs and putting together new orders to go out.

One day there was a sudden sense of excitement around the office. Josef Koudelka had arrived and everybody went out to greet him with affection. He was by far the most appreciated by all members of staff and in return, he was very affectionate and friendly to everyone. He came to me and said: "Hi I´m Josef " shaking my hand. I am Iñigo I said.
We had a long chat talking about Spain, the Basque country, his passion for the country and its women whom he regard as very beautiful. He had a bottle of vodka an offer me a shot. But as It was quite early in the morning I politely declined. As he drank his glass he explained how in his childhood Vodka was the cure for everything. Whether tooth ache or a twisted ankle, in Checoslovaquia Vodka was used as the remedy for all illnesses and pains. He laughed loudly!

Two years ago I went to Prague. My mother was there with a friend and invited me to join them there for a long weekend. On a miserable rainy morning I went looking for books and I suddenly saw Invasion 68 by Josef Koudelka. The book commemorating 40 years of the soviet invasion. I could not believe it I was in Prague and there I had the book with the entire collection of photographs that 9 years earlier I had had in my hands. My only disappointment was that the texts were in Chech and therefore to the day I haven´t been able to understand a single word of it. But I could not care less. It was the book by Koudelka and I was in Prague, on the spring of 2008, exactly in the very same avenue where 40 years earlier those images have been taken.

I saw Josef Kouldelka 7 months later in Paris Photo. As I was getting in he was leaving as he told me, horrified about the whole merchandise of the fair which disgusted him.
Though vaguely he did remember me and we had a quick friendly chat. I gave him a my card and invited to stay at my place next time he happens to be in Barcelona. He is well known to be quite capable of spending months at a house where he was meant to stay just over night. But I don´t think I would mind.



lunes, 31 de mayo de 2010

Sex Shop, Shanghai 2010



I know its hard to believe but this is a picture of a Sex Shop, a health shop rather.
I decided to take the day off and as I was walking around the city, looking for an antiques market, I found this very odd place. Needless to say that it caught my attention and I could not resist entering to investigate.
"Sexual health shop" read the sign above the entrance of this small cubicle where a variety of condoms, creams, toys and lubricants and some other strange artifacts (and a Siberian Husky for that matter) were on display. I thought it was hilarious so I tried to engage in some conversation with the woman while pretending I was interested in acquiring some of the things she had for sale. Soon I realized that she spoke no english and since my chinese is none existent I desisted. But I did produce my camera and she stood there for few seconds for me to take this photograph. Then she hid and continued making the tea she was preparing when I entered the shop.

jueves, 15 de abril de 2010

Francisco Marques y La Recoleta 2004.



Las casualidades de la vida no dejan de sorprenderme y más aún cuando se conjuran para hacerlo en mi propia casa, en una cena entre amigos. A Francisco Marques, arquitecto argentino que vive desde hace años en Barcelona, le conocí por casualidad cuando allá por Junio del año pasado fuí a fotografiar la Ciudad de la Justicia de David Chipperfield. Nos saludamos, conversamos brevemente y sin más nos despedimos y nos dedicamos a lo nuestro. Francisco trabaja en B720 y ha estado desde el princicpio en la dirección de obra del proyecto. Me consta que aún sigue en éllo. Nada raro hasta ahí.
Pasaron los meses y nuestros caminos se volvieron a cruzar. Esta vez en una conferencia de urbanismo que daba Eduardo Reese sobre la transformación de la ciudad de Buenos Aires. Allí nos vimos y nos saludamos y nos dimos los teléfonos quedando en que nos llamaríamos para tomar una cerveza y charlar. El sorprendido, descubrió mi conocimiento sobre Argentina y yo más tarde supe de su pasión por la fotografía. Pasaron unas semanas y quedamos a la vuelta de mi casa y charlamos amigablemente. Pasaron más semanas y organicé una de esas cenas raras a las que invito a gente que nada tiene que ver entre sí y no se conocen.
Francisco y su novia ( urbanista, brasileña, muy dulce pero a pesar de que voy a quedar mal no logro recordar su nombre) fueron invitados y vinieron a la cena .
Llegaron pronto, antes que nadie, mientras yo aún terminaba de cocinar y de poner la mesa.
Abrimos la botella de estupendo vino que trajeron y nos pusimos a charlar mientras paseábamos por mi casa donde cuelgan varias de mis fotografías.
Para no romper con la tradición yo les iba explicando alguna anécdota de las imágenes y como hay varias de Buenos Aires, miraba interesado por ver sus reacciones.
De pronto Francisco se detuvo ante esta foto y no pudo contener una exclamación de estupefacción. Al instante pensé que la mujer que aparece en la imágen era familiar suyo, quizás una tía abuela o una vecina.
Francisco no decía nada pero estaba clavado delante de la fotografía. "No me lo puedo creer -me dijo- Esta foto, esta casa, no es solo la casa donde yo crecí y viví hasta la adolescencia, esa es la ventana de la que era mi habitación".
Perplejo, casí asustado y para salir de dudas le pregunté en insistí si estaba seguro y si sabría indicarme en un mapa de la ciudad dónde estaba esa foto. No me lo podía creer. Yo hice esa fotografía en Buenos Aires en Diciembre del 2004 y en aquél tiempo nada sabía de la existencia de Francisco.
Por entonces yo estaba trabajando en mi proyecto Acostumbrados. Era mi tercer viaje a Argentina y me hopedaba en un hotel pequeño, antiguo por no decir viejo, con lustre de grandeza pasada (más por el nombre que por lo cómodo de sus instalaciones) que se llama el Lion d´or y que aún se encuentra en la calle Pacheco de Melo, en el barrio de Recoleta.
Era el primer o segundo día que llevaba en Buenos Aires y recuerdo que paseando a medio día después de comer, serían sobre las tres de la tarde y bajo un sol de justicia, me dirijía hacía la Avenida Alvear cuando en un paso de cebra me detuve para hacer esta fotografía. La tengo como una de las mejores que hice en esos años y prueba de éllo es que cuando mi amiga Carmeta me compró una copia para colgarla en su casa, yo me hice hacer una para colgarla en la mía.
Pero volviendo sobre Francisco, aquello me dejó y aún me deja atónito. Mi historia con Buenos Aires sigue muy viva en mis recuerdos, en el de las personas que siguen allí y en las que están aquí en Barcelona, en mi casa, en mis fotos que veo cada día. Y casualidades de la vida, yo hice una foto a la casa de Franciso, a la fachada, a la ventana de su habitación.... No salgo de mi asombro.

Marela, creo poder aventurarme a decir que la chica de Francisco se llama Marela.

PD: El que tiene boca se equivoca, me decían de pequeño. El que anda tropieza escuché una vez. Bueno al final Francisco leyó este escrito y me contestó muy simpática y amablemente, mencionando a su mujer Mirela (que no Marela) pero sin mencionar el gazapo. Siempre tan educado.

martes, 30 de marzo de 2010

"Cool Britannia", Mallorca 2010



"To eat well in England, ones needs to have breakfast three times a day" it used to be said.
It isn´t really true as we all know how good English food can actually be. Besides this is not England as it is a sign post I found in the island of Mallorca y the area called Magalluf, not far from Palmanova. An iconic place for entertainment for the less sophisticated subjects
of HRH E-II.
But coincidentally is a paradigm of the misfortunes and errors made by the Spanish tourist industry, with the help of course of the building industry and the connivence of every national and local government Spain has ever known.
Armies of ruthless developers, tourist agents, corrupt politicians, opportunists, doggy dealers and basically anyone who lacked in any criteria or taste saw an opportunity in the spanish coast for a vila, a casino, a parlour, an english pub, a B&B, a chinese take away or an off license shop, were as well as lager and fags, one could also get teddy bears and a variety of sun screen products.
Looking at the images they remind me of the New Cross Cafe were we used to eat while at Goldsmiths. Lunch time on a rainy day. Pete Jones, Haris Pellapaisiotis, Frank Menger and myself would join Martin Durrant down to the cafe for yet another glorious dosis of high cholesterol and builders tea. Down for a greasy spoon with plenty of HP brown sauce and a Kit Kat..... Things couldn´t get any better but they did. I finally made it to Magalluf !.



martes, 12 de enero de 2010

"Paisaje en ruinas" por Tomás Eloy Martínez para La Nación.


Creo recordar que era Julio del 2004 cuando estando en Buenos Aires me enteré que Tomás Eloy Martinez daba una conferencia en el Centro Cultural San Martín. Allí tuve la oportunidad de escucharle y de explicarle que estaba realizando un trabajo y que en buena medida su libro " Réquiem por un país perdido" me estaba sirviendo de inspiración y gran ayuda. Cordial y muy amable, me dijo que en Septiembre y con motivo del Fórum 2004 estaría en Barcelona y que allí quizás tendría tiempo de poder ver mi trabajo.

Una vez establecido contacto me respondió diciendo que se hospedaría en Casa Fuster y que le llamara para concertar una cita.
Fueron muchas las veces que intenté quedar con él pero por motivos de agenda, me decía su mujer, no sabe cuando podrá verte. Al final no logré que encontrara ese momento para dedicárselo al visionado de mi portfolio.
Decepcionado y sabiendo que al día siguiente se marchaba de Barcelona, decidi imprimir 30 fotos en un formato postal y con rotulador hice unas anotaciones a mano indicando los lugares donde las había hecho.
Metí las fotos en un sobre con una de las fotos en el frente y las llevé con una nota a la recepción de Casa Fuster.
Había jugado mi última carta y solo me quedaba esperar a que la suerte esta vez sí estuviera de mi lado.
Decidí emborracharme y lo hice a conciencia.

Debían de ser las 5 de la mañana del día siguiente cuando entre sueños ébrios escuché que sonaba mi teléfono. Pero no logre levantarme para responder.
Fue a media mañana cuando por fín logré ponerme en pié y ví que tenía un mensaje en el contestador. - Buenos días habla Tomás Eloy Martinez. He recibido el sobre con sus fotos y me gustaría conocerle. Salgo de viaje a Suiza en dos horas pero regreso a Barcelona en una semana y entonces le llamaré para que nos encontremos en persona-.
Mi gozo en un pozo. Muerto de sed y con una resaca de muerte ví como Tomás Eloy Martinez se me escapaba a Suiza.
Pero para mi sorpresa cumplió su palabra y una semana después me llamó. Me dijo que disponía de dos horas para tomar un café y que si podría estar allí en media hora. Crucé el Raval y el Gótico corriendo hasta mi casa en Santa Caterina. Y empapado en sudor con mi portfolio en mano, tomé un taxi hasta la calle Valecia donde estab el hotel en que se hospedaba.
Nos encontramos en la terraza y pedimos café. Me preguntó si estaba sorprendido por recibir su llamada y le dije que sí, que no lo esperaba. Soy un argentino de palabra, me dijo.

Miraba las fotos con interés deteniéndose en cada una de ellas, escrutando los detalles haciendo preguntas. En ese momento sonó su teléfono y era Rosa Conde, ex ministra de cultura y presidenta de la Fundación Carolina. Tenía que hablar urgentemente con él de un tema importante. Yo pensé que de nuevo algo se interponía en mi camino.
Pero para mi asombro Tomás le dijo que en ese momento estaba ocupado y que le llamaría en dos horas.
Seguimos charlando de Argentina, de Buenos Aires, de porqué yo hacía esas fotos, de Kischner, de sus libros ( yo he leido casi todo lo que ha escrito) y de fotografía. Le pregunté que si estaría dispuesto a prologar mi libro si algún día lograba publicarlo. Me respondió reticente que estaba muy ocupado, que acababa de firmar un contrato con Afaguara para escribir tres libros y que su tiempo era muy poco pero que le mantuviera informado.
Nos despedimos.

Tres meses después recibí un correo suyo en el que me informaba de que había escrito un articulo en La Nación donde mencionaba nuestro encuentro y mi trabajo.

La anécdota curiosa es que en él se refiere a mí como fotógrafo "calatán". Pero ese es un agravio que he sabido perdonar.

Casa en Puigcerdá- AVA Studio SCP 2018

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